Zoi Mastrotheodou and Eirini Tiniakou create a performance by engaging in observation and research of the natural and social landscape of Bornholm and Naxos islands. They collect organic materials and relics of human activity that construct an entity of life and death. The entity embodies the falling, the violence, the ludicrousness and a ne╬┐-primitiveness. Remnants of the performance can be either picked up or renounced by the participator-viewer.

Eirini Tiniakou (Athens,1993), holds a BFA from the Athens School of Fine Arts (2018) and an MFA from the University of Applied Arts Vienna- Department of Art & Science (2021). Previously, she participated in the workshop “Disappearance” with Omer Fast and Heike Schuppelious and worked as a performer in documenta14 for Ibrahim Mahama. During her postgraduate studies she developed a project with CERN and presented a collective show at the Venice Biennale Sessions (2019). Her practice entails photography, text, and costume-hybrids with a focus on tradition and manual work in the rural and urban environment.

Zoi Mastrotheodorou (Athens, 1993), graduated from the Greek National School of Dance (KSOT) in 2019. During her studies, she collaborated with choreographers such as Anton Lachky, Yannis Mandafounis and Markella Manoliadi on performances in Megaron Athens Concert Hall and in Athens and Epidaurus Festival. In November 2019 she participated as a performer in Athens Digital Arts Festival with the work SYMBIOSIS by Eleni Xynogala. In January 2020 she was a resident of Fire in Kinono Arts Gathering in collaboration with Areti Athanasopoulou. Coming across various techniques, her interests and her artistic research focus on performance, the body in nature, comicality of the dancing body and acrobatics.

The two artists began their collaboration in 2019 on the occasion of a trip to Tinos, where they decided to explore the land and learn from the environment and its residents, thus placing their practices in critical discourse. Their research is based on body performativity and found materials and their work is shaped by the geopolitical landscape that surrounds them during each interaction. With Island Connect (2021) they have the opportunity to present a collective work for the first time.